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vintage epiphone casino

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Mera Thomann Facebook t. On their low-end guitars, they used an assortment of different tuners. Epiphone style tuners as used on most mid to high-end guitars.

A few early models have block letter logos. Gibson continued using New York-made Epiphone necks, with laminated construction and script "E" logo, until all New York necks were used.

Epiphone's stylized "E", which looks like a "C" with a horizontal slash, appeared in in literature and on metal peghead plates.

Models with inlaid or paint logos made the changeover to Gibson necks and the slashed "C" logo style circa On flat tops, the Gibson neck can be distinguished by a wider flare towards the top of the peghead.

By the catalog, all solidbody guitars are pictured with the slashed "C" logo. These varied considerably from guitar to guitar, year to year.

Note the standard script "E" and cloud style fingerboard inlay. On some Deluxe model, Epiphone used Emperior style fingerboard inlays instead.

Note the standard script "E" and "V" fingerboard inlay; it's pearl with a "V" insert of abalone. Before the war, the "V" inlays were all pearl no abalone , and had a black separating line to separate the "V" from the block.

After Gibson bought Epiphone in , Epiphone parts were used up before Gibson parts were issued. This occured on Gibson-made Epiphone starting in In addition to New York pickups, both acoustics and electrics featured New York necks with a pronouced "V" shape that Gibson necks did not have.

The New York Epiphone peghead shape is also different from that of the later Gibson made necks. The stock of Epi-made necks ran out in late or early on most models.

Binding on an Epi: The binding used on NY era Epiphones and before was troublesome. The binding was made of celluloid, and glued in place with an Acetone based glue.

The problem is that the binding shrinks considerably with age, and can literial turn to dust. There is no way to fix this short of replacing the binding.

Environmental issue UV light and temperature extremes can make the problem worse. Epiphone "carrosel" knob from the 's. These were used from the late 's until about The brass "ten position" nail was Gibson's idea to embelish these knobs.

Epiphone most typical electric guitar knob of the 's was the "carrosel" knob. This bakelite material knob was very unique to epiphone.

PegHead Markings other than Serial Numbers "seconds" When Gibson owned Epiphone after , they often marked inferior quality guitars as "seconds", and sold them at a discount to dealers or employees.

These markings were stamped into the wood on the back of the peghead. A "2" stamp is sometimes seen, designating a "second", which had some cosmetic flaw.

If there is a serial number on the back of the peghead, the "2" is usually seen centered above or below it. These were only sold to employees at substantial discounts.

This stamp is also seen on the back of the peghead. All second instruments are usually worth less than the same guitar that is not a second given condition as the same.

BGN instruments are worth less than a second instrument because these tend to have some fairly serious cosmetic flaw.

The easiest way to tell the year of an Epiphone instrument is by its serial number. Serial numbers are from Jim Fisch, L. Fred, Tom Wheeler, Walter Carter.

There are no known factory ledgers for Epiphone. Obviously it has some shortcomings as it is just the sales for one music store.

For the most part serial numbers after are consecutive, and hence provide production numbers indicating the number of instruments produced.

Fred have established an Epiphone serial number registry. This has helped in the dating of old Epiphones, and has given a lot of information regarding production numbers.

Obviously any production number conclusions drawn are based on the instruments Jim has recorded only. Serial Numbers, to , acoustic guitars only.

For and , the serial number is die-stamped on the interior side of an instrument's back. You can see this by looking thru the bass-side "f" hole, generally below the applied label.

From forward, the serial numbers were typed or stamped directly on the Epiphone label. The last documented serial number in this series is Year Number Range to to to to to to to to to to to to to Serial Numbers, to , electric instruments only.

With the start of the Electar model line in late , Epiphone began a new serial number system for their electric instruments only. These numbers are die-stamped and are between 3 and 5 digits in length.

Usually they are located on the top rear of the peghead. Since these numbers were applied before the instrument was painted, the serial number only gives an approximate age especially on less popular instruments such as electric banjos and electric mandolins.

Year Number Range to to to to to to to to to to Serial Numbers, to , acoustic guitars only. For some reason, a new numbering system was started in The starting point of serial number 50, was used.

There were a couple of reasons for this: Also changes in production methods prompted a change in inventory and the numbering scheme.

Year First Number 50, to 51, 52, to 53, 54, to 55, 56, to 56, 57, to 57, 58, to 58, 59, to 59, Serial Numbers, to , electric guitars only.

From to the end of , specific 2-digit prefixes were assigned to individual electric models. The ending 3 digits indicated the actual production number.

This impressed serial number may be found on the back top of the peghead. Serial Numbers, to , acoustic and electric guitars.

Year Number Range to to to to to to "Ink stamped" serial number on a model solidbody. Gibson-made Serial Number, , solidbody guitars. Number is ink stamped on the back of the peghead.

As with Gibson solidbody guitars of the same period, the first digit of the serial number is the last digit of the year.

Year 1st Number 8 9 0 Gibson-made hollowbody serial number as used from to Gibson-made Serial Numbers, to , hollowbody guitars "A" series.

The Epiphone number series is different than the A-series used on Gibson brand instruments of the same period. This is a Epiphone Coronet.

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Spara inställningar Save Settings. Epiphone Casino VS 36 Betyg. Electric Guitar John Lennon played almost exclusively on a Epiphone Casino semi-acoustic from about '65 with the Beatles.

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Action is amazingly fast and it sounds fantastic through a tube amp. Vänligen skriv en notis och gärna din e-postadress i textfältet.

And it feels like one. The P90 don't sound like real ones, and the finish lacks in every aspect. Compared to Squier's and Eastwoods this one really falls behind.

Läs alla recensioner Betygsätt produkt. Visa variationer för denna produkt. Gratis frakt inklusive moms Priset i SEK är endast ett uppskattat pris!

Lägg till i önskelistan. Artikelnummer Försäljningsenhet 1 Styck Tillgänglig sedan augusti Guitar Setups The range of available guitars and amps has never been greater than it is today, and a huge variety of sounds are easily accessible.

E-Guitars Electric guitars are ten a penny and nowadays there are at least as many models and makers to choose from. The range of available guitars and amps has never been greater than it is today, and a huge variety of sounds are easily accessible.

Electric guitars are ten a penny and nowadays there are at least as many models and makers to choose from.

Jämför liknande produkter Aktuell produkt. Epiphone Casino VS Jämför. Pre Epiphones are of very high quality and are generally much scarcer than later models.

They have a smaller body and less modern neck feel than later models, and are less collectable. The most collectable models are those made from when body sizes were increased, up to the end of New York productions Most desirable are the professional grade models on which the company built its reputation: Emperor, DeLuxe, Broadway and Triumph.

These models, along with Gibsons, are considered by most to be the best vintage factory-made archtop guitars produced. Mid-range and low-end models are generally regarded as student model instruments.

New York-made electric archtops are interesting but generally are not as collectable as equivalent acoustic models. Acoustic models are solid carved top and back whereas electrics are plywood.

In addition, the electronics on New York Epiphones are not as sonically good as compared to Gibson of the same period or to the later Gibson-made Epiphones.

Therefore, New York electric archtop Epiphones are worth considerably less than Gibsons of the same period. Most hollowbody Epiphone electrics bring less than the equivalent Gibson models.

Double cutaway thinbody electrics are the most highly sought after electric archtop models. The Emperor single cutaway is the rarest of the thinlines 66 made.

The Sheraton, especially the early version with blond finish, is also very collectable. Sheratons with New York pickups are worth the most, but not for sound.

The Riviera, though equal in playability and sound, is not nearly as collectable. The Casino is collectable only because John Lennon played one.

It may seem like a contridiction in terms: New York pickups are sonically inferior to Gibson pickups, but models fitted with New York pickups from to are worth more than post models fitted with better Gibson pickups.

These Epiphone models made from to like the Sheraton and Coronet are much more collectable and valuable with New York pickups, even though everyone agrees the later models sound much better fitted with Gibson pickups.

Solidbody electric Epiphones with New York pickups are interesting to collectors, but not for their sound.

Later solidbody models with mini- humbucking pickups bring less money than Gibson equivalents with standard humbucking pickups.

None are especially valuable, although Epiphone workmanship and playability is equivalent to Gibson of the same period.

Contact the vintage guitar info guy Back to the Table of Contents Epiphone Model Numbers, to Model numbers date from Epiphone's ownership by Conn in until Gibson moved Epiphone production to Japan in Letters preceding model number: Letters after model number: Information here for completeness.

Model number listed on a blue label with a Kalamazoo address, but usually say "Made in Japan" at the bottom edge of the label. Epiphone label as used from to ; this one is Epiphone label as used on Gibson-made guitars from to ; this one is General Specs: Masterbilt label, high-end models, several different label styles, all with "Masterbilt" in fancy lettering: Different Epiphone Pickups used.

Pic thanks to LB Fred. Epiphone New York era pickups left to right: They are also considered the "best" top-of-the-line pickup model for pre Epiphones.

Gibson made P pickup: Frequensator tailpiece as used from to , and on many "reissue" Epiphones today.

This tailpiece has a nasty habit of cracking at the right angle bend of the anchor. You can just barely see that this anchor is starting to crack as it passes over the edge of the body.

If this part is taken to a saxophone repair shop, often they can repair it best to do this while it's cracked, and before it breaks. Truss rod adjustment at body end of neck: Truss rod adjustment at peghead: Epiphone used their own tuners with a slashed "C" logo and a pearloid button from about to on most mid to high-end models.

On their low-end guitars, they used an assortment of different tuners. Epiphone style tuners as used on most mid to high-end guitars.

A few early models have block letter logos. Gibson continued using New York-made Epiphone necks, with laminated construction and script "E" logo, until all New York necks were used.

Epiphone's stylized "E", which looks like a "C" with a horizontal slash, appeared in in literature and on metal peghead plates. Models with inlaid or paint logos made the changeover to Gibson necks and the slashed "C" logo style circa On flat tops, the Gibson neck can be distinguished by a wider flare towards the top of the peghead.

By the catalog, all solidbody guitars are pictured with the slashed "C" logo. These varied considerably from guitar to guitar, year to year. Note the standard script "E" and cloud style fingerboard inlay.

On some Deluxe model, Epiphone used Emperior style fingerboard inlays instead. Note the standard script "E" and "V" fingerboard inlay; it's pearl with a "V" insert of abalone.

Before the war, the "V" inlays were all pearl no abalone , and had a black separating line to separate the "V" from the block.

After Gibson bought Epiphone in , Epiphone parts were used up before Gibson parts were issued. This occured on Gibson-made Epiphone starting in In addition to New York pickups, both acoustics and electrics featured New York necks with a pronouced "V" shape that Gibson necks did not have.

The New York Epiphone peghead shape is also different from that of the later Gibson made necks. The stock of Epi-made necks ran out in late or early on most models.

Binding on an Epi: The binding used on NY era Epiphones and before was troublesome. The binding was made of celluloid, and glued in place with an Acetone based glue.

The problem is that the binding shrinks considerably with age, and can literial turn to dust. There is no way to fix this short of replacing the binding.

Environmental issue UV light and temperature extremes can make the problem worse. Epiphone "carrosel" knob from the 's. These were used from the late 's until about The brass "ten position" nail was Gibson's idea to embelish these knobs.

Epiphone most typical electric guitar knob of the 's was the "carrosel" knob. This bakelite material knob was very unique to epiphone.

PegHead Markings other than Serial Numbers "seconds" When Gibson owned Epiphone after , they often marked inferior quality guitars as "seconds", and sold them at a discount to dealers or employees.

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